spanishHip-Hop, R&B, Latin
Don't Mind Lyrics
by Kent Jones
Lyricist: Kent Jones
11 views • Published on Sep 25, 2026
Don't Mind Lyrics
Hola, hola na
She telling me this
And telling me that
You said once you take me with you, I'll never go back
Now I got a lesson that I want to teach
I'mma show you that where you from don't matter to me
She said, "Hola. ¿Cómo estás?" She said, "Konnichiwa."
She said, "Pardon my French," I said, "Bonjour, Madame."
Then she said, "Sak pase," and I said, "N'ap boule."
No matter where I go, you know I love 'em all
She said, "Hola. ¿Como estás?" She said, "Konnichiwa."
She said, "Pardon my French," I said, "Bonjour, Madame."
Then she said, "Sak pase," and I said, "N'ap boule."
No matter where I go you know I love them all
African American for sure
I told that baby coming rock a rodeo
Every time I come around, man, I go for broke
She gives me desktop til I overload
Now, baby, you gon' go where you supposed to go
'Cause I ain't got time for you every day
She said she got a man keep it on the low
I said he don't speak English, fuck he gon' say (aye)
Telling me this
And telling me that
You said once you take me with you, I'll never go back
Now I got a lesson that I want to teach ya
I'mma show you that where you from don't matter to me
She said, "Hola. ¿Cómo estás?" She said, "Konnichiwa."
She said, "Pardon my French," I said, "Bonjour, Madame."
Then she said, "Sak pase," and I said, "N'ap boule."
No matter where I go, you know I love 'em all
She said, "Hola. ¿Como estás?" She said, "Konnichiwa."
She said, "Pardon my French," I said, "Bonjour, Madame."
Then she said, "Sak pase," and I said, "N'ap boule."
No matter where I go you know I love them all
She from Africa but she fucks me like she Haitian
Ass black, but the eyes looking Asian
I give her the can in Kansas;
I got it on tape; she on candid camera
OKC I forgot we met in Oklahoma
I use to smoke Regina, she from Arizona
Then I met a girl in Cali I never disowned her;
She got that high grade
Her weed come with diplomas, I want her
But she keep
Telling me this
And telling me that
You said once you take me with you, I'll never go back
Now I got a lesson that I want to teach ya
I'mma show you that where you from don't matter to me
She said, "Hola. ¿Cómo estás?" She said, "Konnichiwa."
She said, "Pardon my French," I said, "Bonjour, Madame."
And she said, "Sak pase," and I said, "N'ap boule."
No matter where I go, you know I love 'em all
She said, "Hola. ¿Como estás?" She said, "Konnichiwa."
She said, "Pardon my French," I said, "Bonjour, Madame."
And she said, "Sak pase," and I said, "N'ap boule."
No matter where I go you know I love them all
She said, "Hola. ¿Cómo estás?" She said, "Konnichiwa."
She said, "Pardon my French," I said, "Bonjour, Madame."
And she said, "Sak pase," and I said, "N'ap boule."
No matter where I go, you know I love 'em all
She said, "Hola. ¿Como estás?" She said, "Konnichiwa."
She said, "Pardon my French," I said, "Bonjour, Madame."
And she said, "Sak pase," and I said, "N'ap boule."
No matter where I go you know I love them all
Meaning of Don't Mind
“Don’t Mind” by Kent Jones is a frenetic and deliberately disorienting exploration of desire, identity, and the seductive power of fleeting connections, delivered with a raw, almost manic energy. The core of the song revolves around a complex, polyamorous relationship – or at least the feeling thereof – built on a foundation of multilingual exchanges and jarring juxtapositions. Jones doesn't offer a linear narrative; instead, he constructs a fragmented portrait through rapid-fire lyrical shifts, weaving together Spanish phrases (“Hola,” “Sak pase,” “N’ap boule”) with English slang, Japanese greetings ("Konnichiwa"), and references to diverse cultural backgrounds – Haitian, African, Asian, Californian, Arizona. This linguistic layering immediately establishes the central theme: a deliberate rejection of geographical or cultural boundaries in the pursuit of pleasure. The repeated insistence on "Don't Mind" acts as both a command and a defense, suggesting an attempt to normalize this unconventional dynamic, to shrug off societal judgments and embrace the chaos.
The song’s emotional landscape is turbulent, oscillating between possessiveness (“No matter where I go, you know I love ‘em all”) and detached observation ("I ain't got time for you every day"). Jones uses vivid imagery – "Ass black, but the eyes looking Asian," “desktop til I overload”– to create a sense of hyper-sensuality and almost overwhelming stimulation. More than just a love song, it’s an assertion of self, a refusal to be confined by expectations or origin stories. Ultimately, Jones' message is one of unapologetic indulgence and the freedom found in embracing multiple loves and identities within a world that demands categorization; a dizzying, beautiful mess.
Tags:
kent jonesheartbreaksoulfulreggae fusiondont mind